9.11.11

A little catch up with myself

I am really enjoying this module and I feel very motivated with what i am working on right now. I had a fantastic talk with my tutor and this really made me start thinking about trusting myself and to just trust that it's ok if you don't always get what you're doing because eventually you will - so I'm going to try that. Another thing is that I need to step back a bit from where I am, and explore my object a little more because I sort of sped off with my idea of idols and obsession. I'm just putting that to the side and I'm going to get a bit more basic and look at my object as more of a detective discovering this object for the first time. With this in mind I made some prints, below.




I drew around my object in the first print and then around my hand whilst holding my object in the second. I then drew the images bigger, through the process of monoprint. I really like the rawness of the line, I like the simplicity and the idea that you don't really know what you are looking at especially because I have enlarged them.
I then began drawing using my object and mono print, rolling and pressing my object onto the paper and therefore pressing the paper into the ink.




Object Fetishism

I read, in the Telegraph, about a woman who has a condition, Objectum-Sexual and due to this married the Eiffel Tower. The woman claimed to be in love with objects before this. Apparently there are around 40 people in the world who have declared they have 'Objectum-Sexual' and all of them are women. A psychotherapist, Jerry Brooker who was interviewed for an documentary on this, remarked that women with Objectum-Sexual are motivated by an intense need for control and fall in love with objects because objects will not let them down in the same way a person will.

Lissie Gill

An artist exploring the malleability and strength of idoloty. She said, "From my work, I take away the notion of obsession, one person's desire to glorify something that may have otherwise gone over looked." This is a great idea

Idolising my object



Through painting free hand onto a screen, I explored the idea of turning my object into an idol and so I began to create an image to show this idea of adoration. I mixed my own colours, I wanted a palate that was bright and vibrant that similar to something you may see in some religions that worship gods and goddesses. The screen prints came out great i think, I just need to go over them in detail with some line to create shape and form. I further developed the above process by screen printing it over an already etched image from a previous week. I wanted to give the impression that the radiator thermostat was glowing, like the golden bed knob in Bedknobs and Broomsticks. I wanted the image to scream 'wow look at this amazing object'.


t was interesting - my flatmate, who knew nothing about my project, after seeing this print said, "oh look it's a radiator thing" and then looked at the two above prints and said "and this is an abstract radiator thing". This comment was very pleasing because he was interested firstly, he found the object bizarre and wanted to know about my project but also because he know what the image was, especially in the above prints. The etching under the screen printing ink doesn't quite work as well as I had hoped as it masks out the black line so i think i shall etch on top of the screen print - this is my next move.

3.11.11

Experimenting with "godlike" and "divine" colour through screen print


idolatry

noun1 the practice of worshiping statues as gods2 (formal) too much love or admiration for someone or something

Majel van der Meulen

This image instantly made me think that the lady depicted, was someone beautiful and special, maybe even a princess. I think the white negative space lends hand to this as it helps to focus my attention to the lady. The white space surrounding the lady's face initiates thoughts of purity and cleanness and i began thinking about god like figures and idols ... can I make my object be viewed in this way? It almost seems ridiculous - a radiator thermostat being presented in a godlike way but doesn't that make it interesting? and isn't that what I'm trying to do?

Scribbling some ideas down

Continuing with the idea of making my object into something extraordinary and magical I was working with swapping the golden bed knob for my object in these stills from Bed Knobs and Broomsticks just in my sketchbook. It's a rough idea but I think it works, there is something quite quirky about it!

19.10.11

Monday 17th October

Today was such a good day! I took my advice and I really went for it this week I just started etching without being too precious about how it was looking and without really having much of a plan and I’m so proud of the work I made.




I think they’re really interesting - I used the image of a hand just to put the object in some sort of context. I didn’t want to draw the whole radiator because the object of the exercise is to explore the object and I think including the whole radiator would take the focus away from what I’m actually investigating. The third print (far right), I feel works best because I think the first two just seem too much out of context - as though the radiator part is floating in mid air and as I don’t want to draw the whole radiator, using the black ink masks the white space and draws the focus back to the image.

I then tried to work into the image a bit more so I thought I would draw over the other image

The image is visually interesting, it fills the page and there is alot going on, not just in the centre of the page. I’m not entirely sure whether as a coherent image it works, does it communicate? It looks quite dizzy, quite confusing. Because of this, I think what would really look good would be to have the radiatior knob as the central focus and many hands twisting it, so almost what I have done here but with only one radiator part. This would really illustrate the function of the object.

On Friday, I am going to set aside some time to go into the print room and churn out some more prints and imagery because I would really like to push this forward and maybe begin experimenting with mixed media and building up the image up from the initial print, looking at the qualities of the object - what it is made of and how it feels to hold it. This is my plan!

17.10.11

the golden bed knob

Monday 10th October

Today’s work, and the whole module I guess is focused around wiping your eyes clean of what you stereotypically think something looks like, what you have been conditioned from a small child into seeing - what you automatically draw if someone tells you to draw something. A house is a square with a rectangular roof, a bottle is curved rectangular shape with a long thing rectangular shape – that sort of thing. So the idea is to use our responsibility as arts and rediscover and refresh this perception. To find out what is new and known in the everyday and this is what is exciting.

The objects I began with today were a few things I picked up from a car boot sale at the weekend. I found an old bicycle wheel and a part of a radiator, you know the twisty bit that you turn the temperature up and down with? I don’t even know the name of it and it’s such a common thing in most households. I would never think of going to a car boot sale if I was short of a twisty thing for my radiator but anyway I’m sure because of its oddity I think it will make interesting work.

I began by drawing my object and looking at it, I was thinking to myself how can I make this object look really really special, something so boring and ordinary and just a bit random to buy at a car boot sale but make people look at my sketchbook and think wow that’s cool. What poped into my head was the Walt Disney film, Bed knobs and Broomsticks. The little boy in it, Paul looks after the gold Bed knob. After telling the bed where to fly to, he had to tap the knob three times and turn it a quarter turn to the left. The way in which he holds the bed knob and keeps it safe in his pocket and rubs it shiny shows how important this object is, just like my radiator thing.

I only made two prints today and neither or them made me feel like this, which is frustrating and deflating. The drawings looked flat and boring just as you would expect them to and the prints, the same. I tried to merge the drawings together through printing by etching them over each other but they still seemed dull and disinteresting.




I walked home thinking will I ever be able to make a radiator thing seem like its important in the same way that Paul can make the bed knob into something that every child wished they owned?

I think this is the sort of thing that comes with a mind set, do I really believe I am a good visual artist with the power to make the mundane fantastic and interesting as though it should be in a Disney movie? No I don’t and this is the problem I need to pick myself up put some blinkers over my eyes to concentrate and get on with it. This is what I took away from today, that it is up to me, that I am in control and that day to day, my work is what I make of it.

I think another problem, which is fixable, is not being sensitive enough to what I see. I can talk about it in an interesting way, I can talk about the little old man at the car boot sale who sold it to me how he demanded a pound for this broken piece of radiator! A whole pound. I can talk about the pieces of dust that if you hold It up to a window you can see through the little cracks, I can talk about the interesting pieces of this in a way that hopefully would make someone think oh cool I’d like to see these drawings, but then it isn’t translated through my drawings. Maybe im not trying hard enough, maybe I need some inspiration, maybe I need to work harder outside of class?

Next week will be better, I promise myself!

The start of something exciting

I began my printmaking module today through an induction and experimental day, using the process of Intaglio and reflief printing. Today just consisted of learning and settling in to the print room as a workspace and we didn’t make much work, just some experimental bits and pieces using both printing processes and imagery from our personal sketchbook. I am quite looking forward to this module as a whole as I feel it is really something to get my teeth stuck into.

I am to keep a reflective online blog with images of my work and my reflections on my work week to week. The body of work I will be producing through this module is linked to my other drawing module, and is concerned with looking at familiar known objects in a new. unknown way. Rediscovery and exploring intensively through printmaking is the main objective of this module. It is so exciting that as artists we have a power to do this!!